As you know, Salman Khan’s Kick has opened to thunderous response at the box office. The reviews are mixed as of now. So, what are Bollywood celebrities saying about Salman Khan’s Kick? Let’s take a look.
Salman Khan’s Kick is all set to get released on Friday. This much awaited movie is directed by Sajid Nadiadwala. It also stars Jacqueline Fernandez, Nawazuddin Siddiqui & Randeep Hooda in main roles. It is an action film and it is the official remake of the Telugu movie of the same name. Early movie reviews are very positive for the film. Let’s take a look at the early movie reviews below!
Humpty Sharma Ki Dulhaniya is produced by Karan Johar and it stars Varun Dhawan and Aalia Bhatt in lead roles. The movie opened to good box office numbers today. And now it’s time to check out the critics reviews. The movie has got average to good reviews from critics. Let’s take a look at the critics reviews below.
Mohit Suri’s ‘Ek Villain’ starring Sidharth Malhotra, Shraddha Kapoor and Riteish Deshmukh has opened to excellent box office numbers today. But what about the reviews? Are the critics kind to the movie? Let’s find out.
Ek Villain received mixed to above average reviews from critics. Take a look at couple of reviews from mainstream reviewers below.
Kangna Ranaut must be in cloud 9 as the actress is getting high praise for her endearing performance in Queen from all quarters – be it reviewers, general public or Bollywood celebrities. Few celebrities took to twitter to convey their admiration for her award worthy performance in the movie. Let’s take a look at few tweets below!
Shekhar Kapur: ‘Queen has a fresh golden heart, at the centre of which lies a fluid consistent n convincing performance by Kangana Raut. Watch this one.’
Though Highway reviews are mixed to very good, Alia Bhatt is getting all the praise. It’s a great feat for Alia since it is only her 2nd film after 2012′s Student Of The Year. She was just a glam doll in Student Of The Year but she has done very well in Highway. Imtiaz Ali is known for his strong roles written for female characters (Kareena’s Geet from Jab We Met is still considered as one of the best female characters ever in Bollywood).
This Friday release Hasee Toh Phasee, produced jointly by Anurag Kashyap and Karan Johar, is getting very good reviews so far. The viewers also have given thumbs up for the movie starring Sidharth Malhotra and Parineeti Chopra if the twitter reception is anything to go by. The movie has already got released in UAE and the response is very positive. Reviewers say in unison that it’s a well made romantic family drama. They also noted that the movie is unlike the less than impressive trailer and promos. Reviewers have appreciated the acting of Sidharth Malhotra and Parineeti Chopra. And their chemistry is also appreciated.
Filmfare review says (they gave 4 stars), “‘Opposites attract’ is probably the oldest and most clichéd saying in the book. But it holds true for almost all epic love stories. Hasee Toh Phasee falls in that category too. But this film is nothing close to a cliché. This quirky rom-com is packed with chaos, drama and ample laughs. And its USP lies in the vibe and chemistry that the lead actors share, making it likable and a very attractive young romance. The final verdict: HTP is one of the most refreshing boy-meets-girl films to have been made in recent times. So go watch this zany, new-age date movie. This is one date you won’t regret.”
Aniruddha Guha gave 3.5 stars, his review says, “The best romantic comedy made in Bollywood continues to be Shakun Batra’s Ek Main Aur Ekk Tu, which relentlessly stayed away from Hindi film clichés right till the end. Hasee Toh Phasee panders to mainstream constraints occasionally, but comes a close second to that film. It’s heart-warming, funny and enjoyable. And it touches a chord.”
IndiaToday gave 3 stars, their review says, “HTP is laced with hilarious situations and there are many laugh out loud moments which keep you entertained throughout this over two-hour-twenty-one minutes long film. It threatens to get slightly melodramatic in the second half but quickly saves itself from a deja vu pit. The well-written film is breezy, funny, witty, a fast-paced story, packed with crackling dialogue. Hasee Toh Phasee could be your best bet at cinemas this week.”
So, when are you watching the film?
Dubai has just seen the premiere of Salman Khan’s much awaited film Jai Ho, directed by brother Sohail Khan and co-starring Tabu, Daisy Shah, Sana Khan & Santosh Shukla. The early reviews of this action film have started pouring in. As of now, the reviews are mixed. Let’s take a look at those reviews.
Indiatv was the first to post a review. They gave a very positive review; their review said, “Since we have Salman, then not expecting some bone crunching, face smashing action sequences will be unwise. Sohail wastes no
time whatsoever to bring in the combative progression and Salman enjoys every bit of it. Jai Ho is a sure shot entertainer, which has a genuine message at last. Go for it and surely go to help the deprived ones.”
Mensxp gave a 4 star review. Their review said, “The concept of the movie is provocative and it has none other than Salman Khan to ensure that you make your way to the theatres. Jai Ho is a movie that deserves your attention to the fullest, and equally demands your applause. It has the necessary strong fondness, which is thought provoking, and doesn’t mocks over the sentiments. Music by Sajid-Wajid is good and background score by Sandeep Shirodkar is brilliant. Jai Ho is a sure shot entertainer, with a genuine strong message. A must watch.”
However, bollywood.celebden gave a not so positive review. In their review they said, “So while there is much talk about who is it that will win in the box office race to 250 crores… our beloved bollywood fraternity seems to have forgotten the key element of what makes a good movie… a good movie!! 250 crores, or 100 crores of whatever it collects… I sincerely wish that people who have the ability to influence so many and entertain even more apply themselves better to create something that will do us proud, and stand the test of time. Not cater to cheap thrills and remix the same old formulae again and again. I am a big salman khan fan. He is a character unlike any we see in today’s bollywood. In many ways his life is very much like a movie itself. But I feel its time that even he should consider doing a good movie… and not a movie for the masses.”
So, are you excited to see the movie after reading these reviews?
Prabhu Deva’s 3rd Hindi directorial (after the very successful Wanted and Rowdy Rathore) R… Rajkumar starring Shahid Kapoor and Sonakshi Sinha received overwhelming negative response from critics. Usually critics don’t give good reviews to masala action flicks. However, they usually give an average rating of 2 or 2.5 stars on 5 to such films. But for this film, most reviewers stuck to a 1 or 1.5 or even less. Box office analyst Taran Adarsh usually gives good review to most of the films but he also has given a negative review. It seems like this movie irked the sensibilities of many reviewers.
Noted critic Rajeeva Masand tweeted, “In a scene in R…Rajkumar, a cop is raping a woman in a jail cell when he’s interrupted by an urgent phone call. How is this entertainment?”
Reviewed By Anna M.M. Vetticad
|Release date:||April 5, 2013|
|Cast:Language:||Ali Zafar, Siddharth, Divyendu Sharma, Taapsee Pannu, Anupam Kher, Bharati Achrekar, Rishi Kapoor, Lillette Dubey|
There are two ways you can watch this film. You could either hark back to Sai Paranjpye’s Chashme Buddoor starring Farooque Shaikh and Deepti Naval, and feel traumatised that this remake is not a patch on the comparatively mellow drama of the original. Or you could forget that this is a remake, and take it for what it is: a flawed yet fun film and a vast improvement on the shrill, crude comedies we’re more used to getting from contemporary Bollywood.
Chashme Baddoor 2013 pretty much sticks to the plot of the original film. Jai and Omi are skirt-chasers who share a flat with their level-headed friend Sid. While pursuing a pretty girl called Seema, the two no-gooders are humiliated by her family. So when Sid and Seema fall in love, Jai and Omi plot to keep them apart. Hence the song: Har ek friend kamina hota hai.
Director David Dhawan won half his battle with this film when his casting director got Pakistani actor Ali Zafar, south Indian star Siddharth and the one-Bollywood-film-old Divyendu Sharma to play Sid, Jai and Omi respectively. The three have such a likeable screen presence that it becomes easier to forgive the film its many flaws. Besides, Zafar’s Hindi diction is so sexy that it makes you want to curse the asses who partitioned India in 1947. It helps that he’s cute as a button, as are his co-stars in a very relaxed, non-in-your-face, not-flashing-bulging-biceps-or-tiny-waistlines-at-us kind of way. Divyendu carries forward the smooth dialogue delivery that made him so noticeable in Pyaar ka Punchnama despite the misogyny that ruled that film. And Telugu-Tamil actress Taapsee Pannu is a pleasant presence as Seema who never once raises the decibel level of the film despite instances where a lesser actress might have done so.
Bringing up the rear are veteran Anupam Kher clearly having a lark in a double role as Seema’s Armyman dad and Army-hating uncle, with the ever-dependable Bharti Achrekar as their mother who’s prone to slapping annoying people. Rishi Kapoor plays local café owner Joseph, and Lillette Dubey is the boys’ landlady Miss Josephine. The two do their best despite the lackadaisical writing and direction of scenes in which they interact.
Which brings us to my big issue with Chashme Baddoor… Why do so many Bollywood comedy writers these days fill their pages with rhyming dialogues, puns and self-referential jokes? And by that I’m not referring to Omi’s shayari (which is enjoyably kitschy and tacky for the most part), but the manner in which Jai and Omi constantly rhyme their sentences even when Omi is not spouting poetry. They are not alone. Josephine, when told that Joseph is an alcoholic, says: Life mein hamara support mila toh woh alcohol ko deport kar dega. Noooooo!!!!! Talk about genre clichés … whether it’s Salman Khan in Ready or for that matter all the characters in most Dhawan, Anees Bazmee and Indra Kumar films these days, THEY’RE ALL RHYMING WORDS! Why?! Fortunately, these tedious patches are balanced out by many genuinely funny scenes, which makes Chashme Baddoor work overall for a tolerant person like me.
What’s not tolerable though are the ageist bits that can’t be excused simply because we’ve seen far worse from Bollywood. It’s not okay for a young man to refer to an old lady as a “khandahar”. It’s not okay either that Jai tells Seema’s grandmom: Marne ki umar chalee gayee lekin aap abhi bhi Queenfisher ki model lagti ho. There are also just too many songs unthinkingly inserted into the plot as though a pre-determined template demanded a song after every x minutes. Andha ghoda race mein dauda is decidedly dull, but compensation comes in the form of the light-hearted lyrics and melody of Dhichkyaoon dhum dhum, the peppy Har ek friend kamina hota hai and the retro mood of Uski aankhon mein toh saji hai madhusala.
The editor seems to have gone missing in certain scenes where awkward silences of a few seconds needed to be shaved off but weren’t, almost as though it wasn’t worth the effort. Arrey! Those not familiar with scenic Goa (where this film is set) may not be irked by this, but it annoyed me that characters seemingly living in Panaji were shown attending church services in Old Goa… a bit like showing residents of Mumbai’s Andheri buying daily groceries in Worli or CP residents in Delhi driving to Ghaziabad for a manicure. Were churches in Panaji unavailable for shooting? This spot of laziness and the lack of locational specificity in the film are exacerbated by memories of the charming referencing of Delhi in the 1981 Chashme Buddoor.
I guess since Dhawan wants us to ignore logic while watching his films, there’s no point asking why the boys in this Chashme Baddoor intermittently dish out imitations of legendary actors in passing or the reasoning behind the switch to a retro look in places. What the heck, since I enjoyed those parts (particularly Siddharth’s take on Amrish Puri’s voice) I won’t complain too much. So here’s the final word: Chashme Baddoor is not of an unequivocally hilarious standard like David Dhawan’s Govinda-starrer Hero No. 1 or the madcap Biwi No. 1 with Salman and Karisma; yet the director is in way better form here than in his more recent Govinda-starrer Do Knot Disturb which was so flat that it was tragic. True, Dhawan’s Chashme Baddoor is a far cry from Sai Paranjpye’s film, but when viewed in the context of contemporary Bollywood comedy, it must be said that it’s also a far cry from the offensiveness of Sajid Khan’s Housefull 2,the crassness of Sachin Yardi’s Kyaa Superkool Hain Hum, the loudness of Dhawan’s own Rascals and the unfunny-ness of Khan’s Himmatwala. Chashme Baddoor is a spot of mindless fun and for all its flaws, I had a good time watching it.
Rating (out of five): **3/4
|CBFC Rating (India):||U/A|
|Running time:||131 minutes|
Anna M.M. Vetticad is a renowned media person and reviewer who has been working for various media for the last 17 years. You can read more reviews by Anna on her blog. You can also send your feedback directly to Anna at her twitter id: @annavetticad